Humanitarian Games Catalogue

Disaster Response Game

Michael G. Klein, Peter L. Jackson and Miho Mazereeuw

You hold one of four roles in a team responding to a tropical cyclone heading for southeastern Africa. You control some of what the response needs — construction supplies, construction teams, food and water, or the authority to approve every movement — but never all of it. Warnings arrive before the storm does, so you can move things into place early if you agree with the others where. The game runs one day at a time. Most actions take a full day, and handing a resource to another player is instant, so who owns what and when becomes the thing you argue about. When people need water, food, shelter or a clinic and your team is late, casualties appear in the header and keep climbing every day until you finish the job. The game ends when every task is done.

HurricaneLog

Thiago Pereira, Daniel Aloise, Marie-Ève Rancourt, Danny Godin

You work for a regional agency that handles disasters across four Caribbean islands. Before the hurricane season starts you get a budget. You decide how to spend it: buy relief supplies now and store them, improve a warehouse, upgrade a port, sign deals with suppliers or shipping companies, speed up customs, or pay for training and better communication. Each island is different, with its own population, wealth, risk level and quality of logistics. Then the season begins. Storms appear on the map, and you watch the forecast cones that show where each one might go. When an island is hit, people need food and family kits, and you decide what to send, from where, and whether by ship or by plane. At the end you see how many people you helped, how long they waited, and what it cost.

Outbreak READY!

Save the Children, Johns Hopkins Center for Humanitarian Health, Johns Hopkins Center for Communication Programs, UK-Med , Humanitarian Leadership Academy, &RANJ, USAID

You play a team lead at READY, a fictional medium-sized international NGO working in Thisland, a fictional low-income country recovering from civil conflict after a disputed election. The simulation runs in two modules. First, you decide what readiness measures to fund and prioritise while an outbreak is detected in a neighbouring country. Then, as the outbreak reaches Thisland, you adapt and expand READY's multi-sectoral programmes in response. Throughout the simulation, you read emails, briefing files and assessment data, and talk with your country director, national staff, public health officials, a partner NGO, a journalist and a community leader, choosing between set options at each turn. The simulation ends once you make your final response decisions in the second module; a facilitator or the Solo-Play Guide then leads you through reflecting on the choices you made.

This is a True Story

Frosty Pop

You take on the role of Bontu, a woman living in rural sub-Saharan Africa who sets out on foot to fetch daily drinking water for her family. You navigate horizontal hand-painted environments across 28 chapters, guiding Bontu along paths, dodging hazards like windstorms, evading poachers, and managing physical stamina. Along the route, you complete light interaction puzzles, spot hidden items, and converse with neighbours. You fill water containers at a remote supply point and carry them back across the landscape. The game concludes when you complete the journey home and take part in a community coffee ceremony, having experienced the labour and time required for basic water access.

True Story

Amnesty International Česká republika

You navigate the daily realities of marginalised individuals by choosing one of three distinct biographical scenarios in the English version: an unhoused person facing sudden destitution, an Egyptian student seeking asylum abroad after political detention, or an autistic teenager navigating high school. In each scenario, you advance through a comic-style narrative sequence presented on a mobile device. At key junctures, you select dialogue options and personal decisions that alter the direction of the storyline and reveal social barriers, legal hurdles, or interpersonal conflicts. Contextual info-boxes appear alongside narrative beats to provide background data on human rights concepts and systemic discrimination. Each scenario concludes with branching outcomes based on your decisions, followed by video reflections featuring the real individuals whose lived experiences inspired the stories.

In 90 Days

Humanitarian Leadership Academy, World Vision, PRELOADED

You are the field manager for an emergency that has just begun, and you have ninety days. Pick one of three crises: a conflict zone, a pandemic, or people displaced by climate change. Events then arrive one after another, and each makes you choose between the quality of your response, the speed of it and what it costs, with resources that never stretch far enough. Two communities start competing over clean water as displaced people arrive. An incident of gender-based violence has to be answered while everything else is still burning. What happens next depends on what you decided, so the same crisis unfolds differently the next time you play it. A run takes about half an hour, and finishing earns digital badges in areas such as coordination, staff treatment and resource management.

Logistics to the Rescue

Erin Mullin; Ashlea Bennett Milburn

You play an emergency dispatcher in the hours after a disaster. One vehicle is available, and more people need help than you can reach. You start with the calls that came through the emergency line, and you plan a route. Part way through, new requests arrive from social media. Some may be false. You choose whether to go after them or stay with the calls you trust. Later you learn which ones were real, and you plan again with the time you have left. Then you play a second round where every stop is final the moment you choose it. At the end you see how many lives you saved.

Bury Me, My Love

The Pixel Hunt, Figs and ARTE France

You are Majd. Your wife Nour has left Syria to try to reach Europe, and you have stayed behind. Everything happens inside a messaging app: she writes to you from the road, sends photos and voice notes, and you reply by picking from a short list of prepared answers. You cannot take a reply back. She asks for directions, for an opinion about a smuggler, for a decision about a border crossing — then she decides for herself what to do with what you told her, and sometimes she ignores you. There is no score and no game over screen. Nour can pass through fifty places and the story can end in nineteen different ways, from arrival to detention, separation and death. The ending you reach is the only feedback you get.

Path Out

Causa Creations, Abdullah Karam

You play a teenage boy in Hama, Syria, in 2014. The game looks like an old 16-bit role-playing game. You walk around pixel streets, talk to your family, and do small tasks. Then the war comes closer. Your family decides you have to leave. The same small world now becomes a road north, through Aleppo province, towards the Turkish border. You pass checkpoints and soldiers. You cross a minefield, and you must look carefully before every step. There is no fighting in this game. You walk, you talk, and you stay out of trouble. From time to time a video opens in the corner of the screen. The real person whose escape this is speaks straight to you. He explains what the game left out. He jokes about his own bad choices. The story stops at the Turkish border.

World Rescue

Pocket Scientists, ZU Digital, Literary Safari, UNESCO MGIEP

A mobile game for children about the Sustainable Development Goals of the United Nations. You follow five young people in five countries — Kenya, Norway, Brazil, India and China — and each of them faces a different problem in their own community: people forced to leave their homes, a disease outbreak, forests being cut down, a drought, and polluted air and water. You help them by playing short mini-games with your finger: puzzles, quizzes, sorting tasks and simple planning tasks, most of them under a time limit. A professor character explains what the problem is and why it matters. The idea behind the game is "think globally, act locally": the problems are global, but you solve them in one village, one town or one factory at a time.

Mission Zhobia

PeaceNexus Foundation, &Ranj

You play a project manager sent to Zhobia, a made-up country that has just come out of a violent conflict. Your job is to design a project that strengthens the justice system there, and the person who had the job before you already failed. You read briefings and local news, and you meet officials, community leaders and court staff, choosing what to say to each of them. Say the right thing and people trust you and tell you more. Say the wrong thing and they stop talking to you, and you do not get a second chance. At the end you decide where the courthouse should be built, what kind of justice system to support and who should be trained, then you hand in your plan and find out how well you read the country.

STOP DISASTERS!

United Nations Office for Disaster Risk Reduction (UNDRR), Playerthree

You get to be in charge of preparing a community for different natural disasters, like earthquakes, floods, tsunamis, wildfires, and hurricanes. You have limited time and resources, so you need to decide where to build things, how to protect people, and what safety measures to put in place. The goal is to make your community as safe and prepared as possible before the disaster hits.

3rd World Farmer

3rd World Farmer Team

You look after one farming family in Africa. Each turn is one year. You have very little money and you must decide how to use it. Buy seeds and plant crops. Buy an animal, a tool or a shed. Send a child to school, or buy medicine when someone is ill. You can also put money into projects for the whole village. Then you harvest, and you read a short report on the year. After that, something happens that you did not choose. A good harvest. A drought. Illness. Armed men who take your animals. Officials who take your savings. Sometimes a family member dies. You begin the next year with whatever is left, and you decide again. The game ends when the family dies out, or when you decide to stop.

Darfur is Dying

TAKE ACTION games

You play a member of a Darfuri family living in a camp for displaced people in Darfur, Sudan. When the camp needs water, you choose one family member to fetch it from a distant well. You steer that person across open desert and hide behind rocks and bushes when militia patrols drive past in trucks. If a patrol sees you, the character is captured and lost for good, and a text screen describes the abuse that captured people suffer. If you bring water back, the view changes to the camp. You use the water for crops and mud bricks for huts, and you watch the camp's health and threat level. The game also invites you to write to US politicians or share the game, and ties these actions to the camp's survival chances. The game ends in survival after seven days, or in failure if the camp's health runs out or no family member can fetch water.

Building Hope - Refugee Camp Simulator

You manage a refugee camp for people who have fled war, famine or violence. Your job is to build it and keep it running. Shelter comes first: you can put up container houses if you can raise the donations, or tents if you cannot, or you can leave people to build their own. Food and clean water have to reach everyone, so you recruit refugees to help you run a distribution system, and you find out whether it holds up when a crisis hits. Charities assign you tasks, and how well you complete them shapes what happens next — the game tracks your successes and your failures and builds the story around both. Several maps and mission types are already playable.

CHS Board Game

Engineers Without Borders, Emergency Architecture & Human Rights (EAHR)

You take turns facing scenarios drawn from humanitarian and development work, from long-term development to crisis situations. While one player decides how they would handle the situation, the others try to predict what they will do. You score points by demonstrating your knowledge of organisational codes of conduct, personnel policies, security procedures and commitments. But there is often no single right answer. The real value comes from the discussion: exploring different perspectives and the challenges that can arise when working on development projects.

Humanitarian Worker Simulator

Independent project

You play a field coordinator for ARAN, an invented aid organisation working in a conflict zone in eastern Democratic Republic of the Congo. Over a mission of six months, taken one week at a time, you decide how to spend your budget and where to send your teams: keeping vehicles on the road and fuel in the tanks, running water and sanitation work, keeping medical supplies moving, and watching how tired your staff are getting. You also have to talk to the armed groups who control the roads, because being accepted by them is the only security you have. Before you confirm a decision the game shows you what it is likely to cause immediately, in a few weeks, and by the end of the mission, but chance still plays a part. When the six months are over you see a list of every choice you made and what it led to.